The Patagonians

The Patagonians

A single-player adventure with horror elements.
The levels of the game are filled with creepy monsters, riddles and a frightening atmosphere.

The daughter of the protagonist of the game disappears on her tenth birthday.
He rushes in search and accidentally learns that she was seen at the abandoned mansion of the founders of the city.
Going there, the hero will remember what he should not remember.

Instructions for Mastering The Patagonians

The game is controlled using the keyboard.
Use the following buttons to control your character: WASD -move the character, SPACE - jump, SHIFT - run, E - action, LMB - attack, RMB - secondary weapon, TAB - pause.
Use headphones for a better immersion in the atmosphere of the game.
Attention arachnophobes - there are large arachnid monsters in the game.
Also in the game there are sudden and frightening sounds.

Features to Explore

In the game you are waiting for:
- simple controls
- interesting story
- unique monsters
- bosses
- original 2D graphics
- atmospheric soundtrack

Which team is credited with creating this game?

The key developer behind this game is RDV Indie Games.

Under what genre is this game listed?

This game is a Adventure in terms of category.

What game development platform or engine does this game run on?

The game development platform used, like WebGL, helps in this project.

Is this game made for a specific gender?

The game is intended for Male & Female players.

What keywords help identify this game?

The featured tags for this game are 1player, 2d, horror, platformer.

Does the game contain any blood-related visuals?

Yes, there is blood or gore present in The Patagonians.

What are the ideal age groups for playing this game?

The ideal age range to play this game is Kids, Teens, Young Adults, Adults, Seniors.

Is there any cruel content in the game?

Yes, there are moments of cruelty or harshness in The Patagonians.

Would you recommend this game for children?

No, The Patagonians is not intended for young audiences.
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